NOT HERE.

JPR (Junior Portfolio Review)

Spring 2024

Medium: Charcoal on paper

Charcoal drawing 1 of 4 from 'NOT HERE.' series.

Portrait in a Warped Reflection

This piece offers a complex interplay of self-reflection, interior space, and surreal distortion. A large, ornate mirror takes center stage, its frame beautifully detailed, containing a warped reflection of a figure within a room. The reflection itself is not static; it carries the artist's characteristic swirling motif, making the represented space feel fluid and unstable. Adding another layer of intrigue, a circular, magnified reflection appears on the mirror's surface, possibly revealing a more intimate or focused detail of the scene. Objects like a crystal ball and containers sit on a surface in the foreground, further enhancing the sense of a contemplative, perhaps mystical, interior world, all viewed through a lens of altered reality.

Charcoal drawing 2 of 4 from 'NOT HERE.' series.

Driving Through a Dreamscape

This drawing places the viewer behind the steering wheel of a car, with the dashboard and wheel meticulously rendered in realistic detail, showcasing a strong command of perspective and form. However, above the realistic interior, the windshield or sky transforms into the signature swirling, abstract patterns. These patterns evoke a sense of movement, perhaps the passing landscape dissolving into pure energy, or an internal psychological state projected onto the external world. The contrast between the grounded, tangible reality of the car's interior and the ethereal, fluid expanse above creates a powerful visual metaphor for consciousness, journey, or the mind's ability to reshape perception.

Charcoal drawing 3 of 4 from 'NOT HERE.' series.

Melting Interior

This piece plunges the viewer into a dramatically distorted interior space, rendered in a masterful range of charcoal tones from inky blacks to luminous whites. The upper half of the composition is dominated by a swirling, fluid abstraction that seems to emanate from the ceiling or an unseen light source, creating a sense of unraveling reality. This energetic vortex contrasts with the more grounded, yet still warped, depiction of a room below. Objects like books and fabric are present, hinted at by their forms, but everything is subject to a visual liquefaction, as if the very air is thick and viscous. The high contrast and dynamic movement create a feeling of both dreaminess and a subtle disquiet.

Charcoal drawing 4 of 4 from 'NOT HERE.' series.

Reflected Touch

Here, the artist explores the themes of perception, reflection, and connection through a beautifully rendered, antique-style mirror and reaching hands. The ornate frame of the mirror acts as a boundary to a warped, undulating reflection, where forms and light swirl into an abstract dance. A human hand extends from the foreground, reaching towards its distorted counterpart within the mirror's depths, creating a poignant sense of yearning or an attempt to grasp an elusive reality. The use of charcoal allows for incredibly rich textures in the frame's details and the subtle contours of the hands, while the swirling reflections retain the signature dynamic fluidity seen in the other works.


Welded steel sculpture from 'NOT HERE.' series.